This may already be set up but, if not, in Logic Pro, open Preferences > General, and select the Editing tab at the top.It’s also necessary to make Logic's track selection automatically follow the selection of audio regions.See Installation and Authorization if you haven't done this. ![]() You should have already downloaded, installed and authorised the RePitch plug-in on your Mac computer.The main disadvantage are that if you export the Output to replace the input, it removes the plug in, and there is no undo to restore the plugin to modify the processing.Plus, you can set up multiple tracks with RePitch and do the capture in all of them simultaneously.The main advantage of this approach is that you can start and stop the capture of the audio at any points in your session.It involves making a real-time playback from the track into the RePitch AU plug-in. The AU plug-in version uses Real-time audio capture and is also a track insert plug-in.This version runs in Logic Pro 10.4.0 and later. Check the following link for the latest news on this: Native Apple Silicon Support (M1).On Apple Silicon (M1, M2, etc) Macs, the ARA version currently only works in DAWs running in Rosetta mode.It's important to understand that the ARA version loads as a single 'extension' in Logic Pro, and although it might appear that you're adding the plugin to each discrete region being processed, you are in fact adding those regions to the same single instance of RePitch ARA.The main disadvantage is that in Logic Pro, you must press the space bar regularly to update the ARA audio database.The main advantages of this approach are that the capture is faster, the time scale and playhead of RePitch follows the same in Logic Pro, and you can later bounce the processed audio to disc.The AU (ARA) plug-in is applied to the track and the audio is “Captured” directly using an instant digital transfer process via ARA (Audio Random Access).This version only runs in Logic Pro X 10.7.3 or later. ![]()
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